... a spirited celebration of regional food and culinary craft, season by season, with original recipes by Susan S. Bradley
Mostarda has been showing up with some frequency on restaurant menus of late and after tasting it for the first time with a succulent grilled pork chop at Nel Centro a couple of years ago, I was smitten. It was LOVE at first bite.
Imagine fresh or dried fruit glazed in a sweet, spicy syrup with a subtle or not so subtle mustard kick. As good as that pork chop was, I could have eaten an entire plate of the mostarda.
Over the years, I have eaten this much-lauded soup in every restaurant and café I could find it. I love the concept—toasted chiles, tomatoes, garlic, corn tortillas, and cumin soup base with fried tortillas, avocado, and sour cream embellishments—but not always the execution. Restaurant renditions vary considerably, as do recipes in American Southwest and Mexican cookbooks.
Wet, bone-chilling Northwest winters demand a repertoire of inspired, nourishing, soul-lifting soups. So this January, LunaCafe OtherWorldly Kitchen is all about soup. I’m challenging myself to create four new meal-in-a-bowl soups by the end of the month.
This Thanksgiving, I give thanks to Zuni Café culinary goddess, Judy Rodgers, for turning me on to dry salt curing. had wet brined poultry and pork for years before trying the salt curing process Chef Rodgers describes in The Zuni Café Cookbook. To compare the two methods, I conducted several tests, and to my palate, salt-curing wins. Although both methods have advantages, you just can’t beat salt-curing for ease and juiciness of the cooked meat.
The most important element of Thanksgiving preparation in the OtherWorldly Kitchen is Brown Poultry Stock. I say this unequivocally, because it is essential to my Thanksgiving 24-Hour Gravy. Without this luscious, silky gravy, it’s just not Thanksgiving.
I was walking through the Portland Farmers Market a couple of weeks ago and did a double take on a stack of orange cauliflower. I adore cauliflower (the earthy flavor, the crunchy or creamy texture), and the only nit I can pick with this lovely vegetable is its color. It gets lost on a white plate and looks pallid and unimaginative next to other basic ingredients I love, such as potatoes, rice, pasta, and poultry.
This concept should have been a cinch. After all, I developed White Chocolate, Cardamom & Coconut Beignet and they’re wonderful—ethereally light, tender, moist, and beautifully flavored.
But I made a classic mistake at the onset. I tried to pattern the new beignets after the earlier success. And that, my friends, was a disaster. I threw batch after batch of beignets in the trash after just one taste.
Something different went wrong with each batch: too dry, too wet, not sweet enough, not pumpkin enough, not spicy enough, and finally, just okay but nothing special. I almost gave up. Where was I going wrong?
I was at Trader Joe’s a few weeks ago and spied a perky little jar of Pumpkin Butter. I must be years behind on this, but that was my first encounter with this luscious spread.
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